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One thing I am convinced more and more is true and that is this: the only way to be truly happy is to make others happy. When you realize that and take advantage of the fact, everything is made perfect.
— William Carlos Williams
One thing I am convinced more and more is true and that is this: the only way to be truly happy is to make others happy. When you realize that and take advantage of the fact, everything is made perfect.
It is in tune with the tempo of life — scattered yet welded into the whole, — broken, yet woven together.
The job of the poet is to use language effectively, his own language, the only language which is to him authentic.
Poetry demands a different material than prose. It uses another facet of the same fact … the spontaneous conformation of language as it is heard.
It's a strange world made up of disappointments for the most part. I keep writing largely because I get a satisfaction from it which can't be duplicated elsewhere. It fills the moments which otherwise are either terrifying or depressed. Not that I live that way, work too quiets me. My chief dissatisfaction with myself at the moment is that I don't seem to be able to lose myself in what I have to do as I should like to.
Why do we live? Most of us need the very thing we never ask for. We talk about revolution as if it was peanuts. What we need is some frank thinking and a few revolutions in our own guts; to hell with what most of the sons of bitches that I know and myself along with them if I don't take hold of myself and turn about when I need to — or go ahead further if that's the game.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
My first poem was a bolt from the blue … it broke a spell of disillusion and suicidal despondence. … it filled me with soul satisfying joy.
There's a lot of bastards out there!
I thought my friends were damn fools, because they didn't know any better way of conducting their lives. Still they conformed better than I to a code. I wanted to conform but I couldn't so I wrote my poetry.
The art of the poem nowadays is something unstable; but at least the construction of the poem should make sense; you should know where you stand. Many questions haven't been answered as yet. Our poets may be wrong; but what can any of us do with his talent but try to develop his vision, so that through frequent failures we may learn better what we have missed in the past.
Being an art form, verse cannot be "free" in the sense of having no limitations or guiding principle.
So different, this manIn a field.
Lift your flowers and scorn greyness!
The earth cracks and if you should fail.
Why do I write today? old Florentine oak.
the set pieces in the same way.
I lie here thinking of you:— is upon the world!
It's a strange courage toward which you lend no part!
Brother! dreams are not a bad thing.
Who shall say I am not the happy genius of my household?
By the road to the contagious hospital northeast — a cold wind.
The pure products of America go crazy —
Among the rain through the dark city.
Old age is piping of plenty.
I have eaten and so cold
He's come out of the man
Your case has been reviewed by high-minded pimps to tradition —
It's all you deserve. You've got the cash, ahead —
These lower than night
The War is the first and only thing in the world today. The arts generally are not, nor is this writing a diversion from that for relief, a turning away. It is the war or part of it, merely a different sector of the field.
Who isn’t frustrated and does not prove it by his actions — if you want to say so? But through art the psychologically maimed may become the most distinguished man of his age. Take Freud for instance.
A man isn’t a block that remains stationary though the psychologists treat him so — and most take an insane pride in believing it. Consistency! He varies; Hamlet today, Caesar tomorrow; here, there, somewhere — if he is to retain his sanity, and why not? The arts have a complex relation to society. The poet isn’t a fixed phenomenon, no more is his work.
There’s nothing sentimental about a machine, and: A poem is a small (or large) machine made of words.
Prose may carry a load of ill-defined matters like a ship. But poetry is the machine which drives it, pruned to a perfect economy.
Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety.
Let the snake wait under the rocks.
Not now. Love itself a flower no peace.
But the sea
I think way
The cries of a dying dog to believe it.
Of asphodel, that greeny flower,
Only give me time,
Endless wealth,
The storm unfolds.
When I speak
The storm bursts
I come, my sweet,
It is difficult
It is at the edge of the
beauty’ is related not to ‘loveliness’ but to a state in which reality plays a part.
We sit and talk,
You lethargic, waiting upon me,
Time is a storm in which we are all lost.
so much depends
The business of love is
If it ain't a pleasure, it ain't a poem.
It is difficult
