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The American Scene

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Crowned not only with no history, but with no credible possibility of time for history, and consecrated by no uses save the commercial at any cost, they [sky-scrapers] are simply the most piercing notes in that concert of the expensively provisional into which your supreme sense of New York resolves itself

The American Scene

The reflecting surfaces, of the ironic, of the epic order, suspended in the New York atmosphere, have yet to show symptoms of shining out, and the monstrous phenomena themselves, meanwhile, strike me as having, with their immense momentum, got the start, got ahead of, in proper parlance, any possibility of poetic, of dramatic capture.

The American Scene

These adventures of the critical spirit were such mere mild walks and talks as I almost blush to offer, on this reduced scale, as matter of history; but I draw courage from the remembrance that history is never, in any rich sense, the immediate crudity of what "happens," but the much finer complexity of what we read into it and think of in connection with it.

The American Scene

It had been intimated to me that one of these scenes of our climax had entered the sophisticated phase, that of sacrificing to a self-consciousness that was to be regretted — that of making eyes, so to speak, at the larger, the up-town public; that pestilent favour of "society" which is fatal to everything it touches and which so quickly leaves the places of its passage unfit for its own use and uninteresting for any other.

The American Scene

What prevails, what sets the tune, is the American scale of gain, more magnificent than any other, and the fact that the whole assumption, the whole theory of life, is that of the individual's participation in it, that of his being more or less punctually and more or less effectually "squared." To make so much money that you won't, that you don't "mind," don't mind anything — that is absolutely, I think, the main American formula.

The American Scene

He has seen again and again how the most expensive effort often fails to lead up to interest, and he has seen how it may bloom in soil of no more worth than so many layers of dust and ashes. He has learnt in fact — he learns greatly in America — to mistrust any plea for it directly made by money, which operates too often as the great puffing motor-car framed for whirling him, in his dismay, quite away from it.

The American Scene

I had the foretaste of what I was presently to feel in California — when the general aspect of that wondrous realm kept suggesting to me a sort of prepared but unconscious and inexperienced Italy, the primitive plate, in perfect condition, but with the impression of History all yet to be made.

The American Scene