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Be ahead of all parting, as though it already were
— Rainer Maria Rilke
writer, poet, playwright, translator, novelist
🔗 Read on Wikipedia1875 – 1926
Be ahead of all parting, as though it already were
The future enters into us, in order to transform itself in us, long before it happens.
The only journey is the one within.
When something's let go of, it circles; and though we are rarely the center of the circle, it draws around us its unbroken, marvelous curve.
Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further.
Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further.
To love is good, too: love being difficult. For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation...Love is a high inducement to the individual to ripen, to become something in himself, to become world for himself for another's sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.
If we surrendered
Just as language has no longer anything in common with the thing it names, so the movements of most of the people who live in cities have lost their connexion with the earth; they hang, as it were, in the air, hover in all directions, and find no place where they can settle.
All the soarings of my mind begin in my blood.
One had to take some action against fear when once it laid hold of one.
The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.
He was a poet and hated the approximate.
Death is the side of life which is turned away from us.
Make your ego porous. Will is of little importance, complaining is nothing, fame is nothing. Openness, patience, receptivity, solitude is everything.
Everywhere I am folded, there I am a lie.
Surely all art is the result of one’s having been in danger, of having gone through an experience all the way to the end, where no one can go any further.
Painting is something that takes place among the colors, and … one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse: this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.
Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.
He [Cézanne] reproduced himself with so much humble objectivity, with the unquestioning, matter of fact interest of a dog who sees himself in a mirror and thinks: there’s another dog.
Not since Moses has anyone seen a mountain so greatly.
What is required of us is that we love the difficult and learn to deal with it. In the difficult are the friendly forces, the hands that work on us. Right in the difficult we must have our joys, our happiness, our dreams: there against the depth of this background, they stand out, there for the first time we see how beautiful they are.
A tree ascended there. Oh pure transendence! a new beginning, beckoning, change appeared.
They more adeptly bend the willow's branches who have experience of the willow's roots.
When you go to bed, don't leave bread or milk on the table: it attracts the dead.
Nothing touches a work of art so little as words of criticism : they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.
Love consists of this: two solitudes that meet, protect and greet each other.
No one can advise or help you — no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
A work of art is good if it has grown out of necessity.
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
I could give you no advice but this: to go into yourself and to explore the depths where your life wells forth.
If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.
The deepest experience of the creator is feminine, for it is experience of receiving and bearing.
Irony: Do not let yourself be governed by it, especially not in unproductive moments. In productive ones try to make use of it as one more means of seizing life.
No experience has been too unimportant, and the smallest event unfolds like a fate, and fate itself is like a wonderful, wide fabric in which every thread is guided by an infinitely tender hand and laid alongside another thread and is held and supported by a hundred others.
Read as little as possible of literary criticism - such things are either partisan opinions, which have become petrified and meaningless, hardened and empty of life, or else they are just clever word-games, in which one view wins today, and tomorrow the opposite view. Works of art are of an infinite solitude, and no means of approach is so useless as criticism.
If you trust in Nature, in the small Things that hardly anyone sees and that can so suddenly become huge, immeasurable; if you have this love for what is humble and try very simply, as someone who serves, to win the confidence of what seems poor: then everything will become easier for you, more coherent and somehow more reconciling, not in your conscious mind perhaps, which stays behind, astonished, but in your innermost awareness, awakeness, and knowledge.
Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.
Interior of the hand. Sole that has come to walk
The great renewal of the world will perhaps consist in this, that man and maid, freed of all false feelings and reluctances, will seek each other not as opposites, but as brother and sister, as neighbors, and will come together as human beings.
Through such impressions one gathers oneself, wins oneself back from the exacting multiplicity, which speaks and chatters there (and how talkative it is!), and one slowly learns to recognize the very few Things in which something eternal endures that one can love and something solitary that one can gently take part in.
Love is something difficult and it is more difficult than other things because in other conflicts nature herself enjoins men to collect themselves, to take themselves firmly in the hand with all their strength, while in the heightening of love the impulse is to give oneself wholly away.
Young people, who are beginners in everything, cannot yet know love: they have to learn it.
Love is at first not anything that means merging, giving over and uniting with another (for what would a union be of something unclarified and unfinished, still subordinate?), it is a high inducement to the individual to ripen, to become world, to become world for himself for another's sake. It is a great exacting claim upon him, something that chooses him out and calls him to vast things.
Young people -it is obvious -cannot achieve such a relationship, but they can, if they understand their life properly, grow up slowly to such happiness and prepare themselves for it. They must not forget, when they love, that they are beginners, bunglers of life, apprentices in love- must learn love, and that like all learning wants peace, patience, and composure.
Extinguish my eyes, I'll go on seeing you.
Someday there will be girls and women whose name will no longer mean the mere opposite of the male, but something in itself, something that makes one think not of any complement and limit, but only life and reality: the female human being.
I live my life in widening circles that reach out across the world.
If only we arrange our life according to that principle which counsels us that we must hold to the difficult, then that which now still seems to us the most alien will become what we most trust and find most faithful.
All feelings that concentrate you and lift you up are pure; only that feeling is impure which grasps just one side of your being and thus distorts you. Everything you can think of as you face your childhood, is good. Everything that makes more of you than you have ever been, even in your best hours, is right. Every intensification is good, if it is in your entire blood, if it isn't intoxication or muddiness, but joy which you can see into, clear to the bottom.
Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.
You darkness, that I come from,
Isn’t it time that these most ancient sorrows of ours
The purpose of life is to be defeated by greater and greater things.
It wasn't his, it wasn't my fault,
I live not in dreams but in contemplation of a reality that is perhaps the future.
Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
It is not inertia alone that is responsible for human relationships repeating themselves from case to case, indescribably monotonous and unrenewed: it is shyness before any sort of new, unforeseeable experience with which one does not think oneself able to cope. But only someone who is ready for everything, who excludes nothing, not even the most enigmatical will live the relation to another as something alive.
I beg you, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
Believe that with your feelings and your work you are taking part in the greatest; the more strongly you cultivate this belief, the more will reality and the world go forth from it.
Does time really exist, time the destroyer?
Every angel is terrifying.
Who is there today who still cares about a well-finished death? No one. Even the rich, who could after all afford this luxury, are beginning to grow lazy and indifferent; the desire to have a death of one's own is becoming more and more rare. In a short time it will be as rare as a life of one's own.
More belongs to marriage than four legs in a bed.
It was not in me It came and went
I want my own will, and I want
Art too is just a way of living.
If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.
It is always what I have already said: always the wish that you may find patience enough in yourself to endure, and simplicity enough to believe; that you may acquire more and more confidence in that which is difficult, and in your solitude among others. And for the rest, let life happen to you. Believe me: life is right, in any case.
How can I keep my soul in me, so that
His vision, from the constantly passing bars,
In the deepest hour of the night, confess to yourself that you would die if you were forbidden to write. And look deep into your heart where it spreads its roots, the answer, and ask yourself, must I write?
O Stunden in der Kindheit,
Someday you will name me,
I want to unfold.
I want to be with those who know secret things or else alone.
I am too alone in the world, and yet not alone enough
And if the world has ceased to hear you,
Works of art are of an infinite solitude, and no means of approach is so useless as criticism. Only love can touch and hold them and be fair to them.
How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
And when suddenly
If we surrendered
No great art has ever been made without the artist having known danger.
Once the realization is accepted that even between the closest human beings infinite distances continue, a wonderful living side by side can grow, if they succeed in loving the distance between them which makes it possible for each to see the other whole against the sky.
How surely gravity's law,
Let life happen to you. Believe me: life is in the right, always.
She who reconciles the ill-matched threads
I am much too alone in this world, yet not alone enough.
Amid these fading and decaying things, be the glass that rings out as it's breaking.
How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.
To love is good, too: love being difficult. For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation...Love is a high inducement to the individual to ripen, to become something in himself, to become world for himself for another's sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.
If we surrendered
A billion stars go spinning through the night,
For beauty is nothing but the beginning of terror
No, we don't accomplish our love in a single year
we want it visible
And the point is to live everything. Live the questions now. Perhaps then, someday far into the future, you will gradually, without even noticing it, live your way into the answer.
Love consists in this, that two solitudes protect and touch and greet each other.
No great art has ever been made without the artist having known danger.
Quiet friend who has come so far,
