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The jumbled brick and stone of the city's landscape is a medley of style in which centuries and decades rub shoulders in a disorder that denies the sequence of time.
— Penelope Lively
The jumbled brick and stone of the city's landscape is a medley of style in which centuries and decades rub shoulders in a disorder that denies the sequence of time.
The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in a jar.
During the early days and weeks of her solitude Frances had come to realise that grief like illness is unstable; it ebbs and flows in tides, it steals away to a distance and then comes roaring back, it torments by deception. It plays games with time and with reality.
To be completely ignorant of the collective past seems to me to be another state of amnesia; you would be untethered, adrift in time. Which is why all societies have sought some kind of memory bank, whether by way of folklore, story-telling, recitation of the ancestors--from Homer to Genesis. And why the heritage industry does so well today; most people may not be particularly interested in the narrative of the past, in the detail or the discussion, but they are glad to know that it is there.
