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If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
β Mickey Spillane
television actor, novelist, writer, children's writer, prose writer
π Read on Wikipedia1918 Β β 2006
If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
Those big-shot writers β¦ could never dig the fact that there are more salted peanuts consumed than caviar.
In there. The words hit me hard. In there was my best friend lying on the floor dead. The body. Now I could call it that. Yesterday it was Jack Williams, the guy that shared the same mud bed with me through two years of warfare in the stinking slime of the jungle. Jack, the guy who said he'd give his right arm for a friend and did when he stopped a bastard of a Jap from slitting me in two. He caught the bayonet in the biceps and they amputated his arm.
I threw back the sheet anyway and a curse caught in my throat. Jack was in shorts, his one hand still clutching his belly in agony. The bullet went in clean, but where it came out left a hole big enough to cram a fist into.
The cops aren't exactly dumb, you know. We can get our own answers.Not like I can. That's why you buzzed me so fast. You can figure things out as quickly as I can, but you haven't got the ways and means of doing the dirty work. That's where I come in. You'll be right behind me every inch of the way, but when the pinch comes I'll get shoved aside and you slap the cuffs on. That is, if you can shove me aside. I don't think you can.
Don't worry, I don't underrate the cops. But cops can't break a guy's arm to make him talk, and they can't shove his teeth in with the muzzle of a .45 to remind him that you aren't fooling. I do my own leg work, and there are a lot of guys who will tell me what I want to know because they know what I'll do to them if they don't. My staff is strictly ex officio, but very practical.
The roar of the .45 shook the room. Charlotte staggered back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her naked belly where the bullet went in."It was easy," I said.
The guy was dead as hell. He lay on the floor in his pajamas with his brains scattered all over the rug and my gun was in his hand. I kept rubbing my face to wipe out the fuzz that clouded my mind but the cops wouldn't let me. One would pull my hand away and shout a question at me that made my head ache even worse and another would slap me with a wet rag until I felt like I had been split wide open.
I couldn't think. I couldn't remember. I was wound up like a spring and ready to bust. All I could see was the dead guy in the middle of the room and my gun. My gun! Somebody grabbed at my arm and hauled me upright and the questions started again. That was as much as I could take. I gave a hell of a kick and a fat face in a fedora pulled back out of focus and started to groan, all doubled up. Maybe I laughed, I don't know.
Rainey, you've forgotten something. You've forgotten that I'm not a guy that takes any crap. Not from anybody. You've forgotten I've been in business because I stayed alive longer than some guys who didn't want me that way. You've forgotten that I've had some punks tougher than you'll ever be on the end of a gun and I pulled the trigger just to watch their expressions change.
I sat there as if I were paralyzed; for a second totally immobilized, a suddenly frozen mind and body that had solidified into one great silent scream at the mention of a name I had long ago consigned to a grave somewhere. Then the terrible cold was drenched with an even more terrible wash of heat and I sat there with my hands bunched into fists to keep them from shaking.
The woman inside was important now. Perhaps the most important in the world. What she knew would help destroy an enemy when she told it. My hands in my pockets balled into hard knots to keep from shaking and for a moment the throbbing ache of the welts and cuts that laced my skin stopped.
Even in that pale light I could see that she was more beautiful than ever, the black shadow of her hair framing a face I had seen every night in the misery of sleep for so long. Those deep brown eyes still had that hungry look when they watched mine and the lush fullness of her mouth glistened with a damp warmth of invitation.
We brought a man back who should have died long ago. The present can't stand a man like that anymore. Now they want indecision and compromise and reluctance and fear.
His eyes had death in them, his and mine. His belly was bloated and I could smell the stench of a festering wound, the sickening odor of old blood impregnated into cloth. There was a wildness in his face and his mouth was a tight slash that showed all his teeth. Marv Kania was young, but right there he was as old as death itself.
They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that.
They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike ...there was no reason."
I have no fans. You know what I got? Customers. And customers are your friends.
If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day.
If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book.
Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
Some days hang over Manhattan like a huge pair of unseen pincers, slowly squeezing the city until you can hardly breathe. A low growl of thunder echoed up the cavern of Fifth Avenue and I looked up to where the sky started at the seventy-first floor of the Empire State Building. I could smell the rain. It was the kind that hung above the orderly piles of concrete until it was soaked with dust and debris and when it came down it wasn't rain at all but the sweat of the city.
The phone rang.It was a thing that had been sitting here, black and quiet like a holstered gun, unlisted, unknown to anybody, used only for local outgoing calls, and when it was triggered it had the soft, muted sound of a silenced automatic. The first ring was a warning sound. The second time would be death calling.
I'm not an author, I'm a writer, that's all I am. Authors want their names down in history; I want to keep the smoke coming out of the chimney.
I knew a couple of things... during the war years they came out with reprints of all the Dumas novels, Moby Dick, for the servicemen, and I saw this and believe me I'm a very sharp merchandiser, and I say this is the new marketplace for writing: original paperback books.
I was the first one probably in writing to use a nickname, Mickey, and it stuck.
I'm 82 years old, wherever I go everybody knows me, but here's why... I'm a merchandiser, I'm not just a writer, I stay in every avenue you can think of.
I don't care what the editor likes or dislikes, I care what the people like.
Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.
I know an awful lot of Hollywood people, who are so self-important, I can't understand it. My father was a good Irish saloon-keeper, my mother always said to him, 'Jack, how come you know everybody here' and he'd say, 'because I say hello'. I'm just like that, I've always been that way.
Hemingway hated me. I sold 200 million books, and he didn't. Of course most of mine sold for 25 cents, but still... you look at all this stuff with a grain of salt.
Hemingway hated me. I outsell him and he was steamed. One day he wrote a story for Bluebook berating me. So I'm going on a big TV show in Chicago and I don't get it, that's sour grapes... I mean if you can't say something nice about someone why say anything at all?
I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead...
I don't research anything. If I need something, I'll invent it.
See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
I've gotta keep writing. But where's the next step, where do you go? But at my age, you start to get tired. You're not full of piss and vinegar. The vinegar's all gone.
I always wanted to have Mike Mazurki play Hammer... too bad he couldn't act.
I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.
I'm actually a softie. Tough guys get killed too early... I've got a full head of hair and don't wear eyeglasses.
When I started the paperback market, there were only a few good writers, now the market's loaded... you don't know which one to take.
Authors want their names down in history; I want to keep the smoke coming out of the chimney.
