“
Be my lover between two wars waged in the mirror, she said.
— Mahmoud Darwish
poet, writer, correspondent, songwriter, poet laureate, panel discussion
1941 – 2008
Be my lover between two wars waged in the mirror, she said.
The poem is in my hands, and can run stories through her hands.
Without hope we are lost.
The metaphor for Palestine is stronger than the Palestine of reality.
A person can only be born in one place. However, he may die several times elsewhere: in the exiles and prisons, and in a homeland transformed by the occupation and oppression into a nightmare.
Without hope we are lost.
I don't decide to represent anything except myself. But that self is full of collective memory.
The Palestinians are the only nation in the world that feels with certainty that today is better than what the days ahead will hold. Tomorrow always heralds a worse situation.
I see poetry as spiritual medicine.
The Arabs are ready to accept a strong Israel with nuclear arms - all it has to do is open the gates of its fortress and make peace.
The importance of poetry is not measured, finally, by what the poet says but by how he says it.
Palestinian people are in love with life.
I am not a lover of Israel, of course. I have no reason to be. But I don't hate Jews.
When I passed the age of 50, I learned how to control my emotions.
Poetry and beauty are always making peace. When you read something beautiful you find coexistence; it breaks walls down.
Sarcasm helps me overcome the harshness of the reality we live, eases the pain of scars and makes people smile.
History laughs at both the victim and the aggressor.
Exile is more than a geographical concept. You can be an exile in your homeland, in your own house, in a room.
Far away, our dreams have nothing to do with what we do. The wind carries the night, and passes on, aimless.
Against barbarity, poetry can resist only by confirming its attachment to human fragility like a blade of grass growing on a wall while armies march by.
Nothing, nothing justifies terrorism.
I believe in the power of poetry, which gives me reasons to look ahead and identify a glint of light.
I've built my homeland, I've even founded my state - in my language.
To be under occupation, to be under siege, is not a good inspiration for poetry.
When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
Poetry and beauty are always making peace. When you read something beautiful you find coexistence; it breaks walls down.
I never wanted children; maybe I'm afraid of responsibility.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She's not a symbol.
For the Arabs in Israel there is always a tension between nationality and identity.
I love women whose hidden desires make horses put an end to their lives at the threshold
History laughs at both the victim and the aggressor.
When I passed the age of 50, I learned how to control my emotions.
I have learned and dismantled all the words in order to draw from them a
I prepare my portrait for my woman to hang on a wall when I die.
The stars had only one task: they taught me how to read.
There is no name for what life should be, except
Don’t say that poetry, my friend, is beautiful
