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The real sin against life is to abuse and destroy beauty, even one's own even more, one's own, for that has been put in our care and we are responsible for its well-being.
— Katherine Anne Porter
The real sin against life is to abuse and destroy beauty, even one's own even more, one's own, for that has been put in our care and we are responsible for its well-being.
The human heart is not yet so corroded that it can read off the extinction of these two men without a shock to the very roots of its belief in justice and humanity.
I don't want any promises, I won't have false hopes, I won't be romantic about myself. I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.
The road to death is a long march beset with all evils, and the heart fails little by little at each new terror, the bones rebel at each step, the mind sets up its own bitter resistance and to what end? The barriers sink one by one, and no covering of the eyes shuts out the landscape of disaster, nor the sight of crimes committed there.
They had both noticed that a life of dissipation sometimes gave to a face the look of gaunt suffering spirituality that a life of asceticism was supposed to give and quite often did not.
Miracles are instantaneous, they cannot be summoned, but come of themeselves, usually at unlikely moments and to those who least expect them.
The real sin against life is to abuse and destroy beauty, even one's own — even more, one's own, for that has been put in our care and we are responsible for its well-being.
I finished the thing; but I think I sprained my soul.
I'm not afraid of life and I'm not afraid of death: Dying's the bore.
I have no patience with this dreadful idea that whatever you have in you has to come out, that you can't suppress true talent. People can be destroyed; they can be bent, distorted, and completely crippled . . . In spite of all the poetry, all the philosophy to the contrary, we are not really masters of our fate.
There seems to be a kind of order in the universe, in the movement of the stars and the turning of the earth and the changing of the seasons, and even in the cycle of human life. But human life itself is almost pure chaos. Everyone takes his stance, asserts his own rights and feelings, mistaking the motives of others, and his own.
Human life itself may be almost pure chaos, but the work of the artist — the only thing he's good for — is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it's only his view of a meaning. That's what he's for — to give his view of life.
Our being is subject to all the chances of life. There are so many things we are capable of, that we could be or do. The potentialities are so great that we never, any of us, are more than one-fourth fulfilled.
You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence.
A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself — or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.
It was no consolation to say their long ordeal was ended. It was not ended for us and — perhaps I should speak for myself — their memory was already turning to stone in my mind. In my whole life I have never felt such a weight of pure bitterness, helpless anger in utter defeat, outraged love and hope, as hung over us all in that room — or did we breathe it out of ourselves?
Death always leaves one singer to mourn.
