“
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
— Junot Diaz
writer, university teacher, science fiction writer, novelist
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Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
In order to write the book you want to write, in the end you have to become the person you need to become to write that book.
'A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.
Trauma is a time traveller, an ouroboros that reaches back and devours everything that came before.
This life takes a lot more courage than I ever gave it credit for. When I was growing up around here I was always fantasizing heroic shit without realizing that what was shaping up was going to be the greatest heroic adventure of them all: trying to live and be a decent human being. That shit takes more courage than I ever had.
\xa0Our visions of an immigrant community and an immigrant experience are highly moralistic. I feel like our reality is William Gibson meets Toni Morrison, yet the way we’re interpreting the morality of immigrants is Chaucer.”
\xa0We live in a patriarchal imaginary where men cannot conceptualise women as fully human. What’s really important is how this shit resides in us, how this just lives in us, man, even if we’re the good guy – it should give a motherfucker pause.
If you think learning salsa is your future, you’re going to be pretty insufferable in salsa classes.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
