Henri Cartier-Bresson

In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv.

— Henri Cartier-Bresson

I am a visual man. I watch, watch, watch. I understand things through my eyes.

— Henri Cartier-Bresson

For me, the great myth is the Greek myth of Antaeus, who had to touch Earth to regain his strength. I know I must always keep in contact with the concrete, concrete reality, the small incident and the small, specific truth, which might have wide reverberations.

— Henri Cartier-Bresson

I believe creative work needs communication. So it’s extremely encouraging to be with a group of people who form a community and to know that you’re not isolated, although as individuals we must always work in an inner silence.

— Henri Cartier-Bresson

I think cynicism is the worst thing because it kills everything. There’s no more honesty, no more poetry, no more freshness. Cynicism is the worst thing — a kind of smart person who’s got all the answers. This is death. It kills creation. There’s no love, no tenderness, nothing at all left. There’s no hatred even, nothing. Equally dangerous is the detached attitude that says, “Everything is fun!”

— Henri Cartier-Bresson

There are photographers who invent, others who discover. Personally, I am interested in discoveries, not for the trials or experiences but to capture life itself. I flee from the dangers of the anecdote and the picturesque, which are very easy and better than sensational, but quite as bad. To my mind, photography has the power to evoke, and must not simply document. We have to be abstract, just like nature.

— Henri Cartier-Bresson

Anybody can take photographs. I have seen in the Herald Tribune some taken by a monkey that managed, with a Polaroid camera, as well as some camera owners. It is precisely because our profession is open to everyone that it remains, in spite of its fascinating ease, extremely difficult.

— Henri Cartier-Bresson

If I am asked about the photographer’s role in our times, the power of the image and so on, I do not want to launch into explanations. I only know that people who know how to look are as rare as those who know how to listen.

— Henri Cartier-Bresson

I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.

— Henri Cartier-Bresson

You have to look, and looking is so difficult. We are used to thinking. We reflect all the time, well or not, but people are not taught how to look. It takes a very long time.

— Henri Cartier-Bresson

Photography is solitary work. There is emulation. It is interesting to know what other people do. Even so, writers do not read everything that is published. A painter does not look at everything. You have to choose. It’s reality, it’s life that is important. We shouldn’t be sniffing around each other all the time, looking....

— Henri Cartier-Bresson

When you use a camera, your visual concentration is intense, as it is when you draw. But if you overshoot, your contact sheet is likely to become a jumble of peelings. You need a lot of sand to discover a nugget. Shooting is a play between pickpocketing and tightrope walking; an endless play, fraught with huge tension.

— Henri Cartier-Bresson

Photography has never been a problem for me, [what is important] is looking, the way of looking, of questioning with your eyes: I don’t think; I am impulsive, it is /looking/ that’s important, not photography. Now, since I have started drawing, I’ve merely switched tools, but it is still looking that’s important. To look the right way, one should learn to become a deaf-mute.

— Henri Cartier-Bresson

Photography has fulfilled my adventurous side: it is a real trade. I behaved like a thief in every country where I went, in China, in Africa, in America… all things considered, our trade is situated somewhere between pickpocket and tightrope walker… yes, we steal from people, we take something that belongs to them: their image, their culture.

— Henri Cartier-Bresson

We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.

— Henri Cartier-Bresson

But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn’t care less if the person to whom I show what I do likes it or not — it takes all sorts to make a world and all that. To criticize is to put oneself in someone else’s shoes and try to figure out what they wanted to do. Only the “why” of things is important to me.

— Henri Cartier-Bresson