george kubler

The seventeenth-century academic separation between fine and useful arts first fell out of fashion nearly a century ago.

— george kubler

The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art.

— george kubler

Purpose has no place in biology, but history has no meaning without it.

— george kubler

However useful it is for pedagogical purposes, the biological metaphor of style as a sequence of life-stages was historically misleading, for it bestowed upon the flux of events the shapes and behavior of organisms.

— george kubler

We always may be sure that every man-made thing arises from a problem as a purposeful solution.

— george kubler

The historian's special contribution is the discovery of the manifold shapes of time. The aim of the historian, regardless of his specialty in erudition, is to portray time. He is committed to the detection and description of the shape of time.

— george kubler

Unless he is an annalist or a chronicler, the historian communicates a pattern which was invisible to his subjects when they lived it, and unknown to his contemporaries before he detected it.

— george kubler

The universe has a finite velocity which limits not only the spread of its events, but also the speed of our perceptions. The moment of actuality slips too fast by the slow, coarse net of our senses.

— george kubler

Although inanimate things remain our most tangible evidence that the old human past really existed, the conventional metaphors used to describe this visible past are mainly biological.

— george kubler

The history of art... resembles a broken but much-repaired chain made of string and wire to connect the occasional jeweled links surviving as physical evidences of the invisible original sequence of prime objects.

— george kubler

Instead of an idea of style, which embraces too many associations, [I] have outlined the idea of a linked succession of prime works with replications, all being distributed in time as recognizably early and late versions of the same kind of action.

— george kubler

Actuality is when the lighthouse is dark between flashes: it is the instant between the ticks of the watch: it is a void interval slipping forever through time: the rupture between past and future: the gap at the poles of the revolving magnetic field, infinitesimally small but ultimately real. It is the interchronic pause when nothing is happening. It is the void between events.

— george kubler

Actuality is when the lighthouse is dark between flashes: it is the instant between the ticks of the watch: it is a void interval slipping forever through time: the rupture between past and future: the gap at the poles of the revolving magnetic field, infinitesimally small but ultimately real. It is the interchronic pause when nothing is happening. It is the void between events.

— george kubler