François-Eudes Chanfrault

And while expecting me to be the more free I could be, he pushed me to my own corners, always asking for more. More freedom, more experiments, more noise, more trash, more, more.

— François-Eudes Chanfrault

It was a fascinating experience where I literally wrote and recorded music live on the picture while Fabrice was screaming "more, more", yelling and singing to finally explode together in a "yeahhhhhh, that's fucking great!"

— François-Eudes Chanfrault

We thought about the movie as a global piece of work, not picture, then voices, then music.

— François-Eudes Chanfrault

I think my work is unusual, so when someone comes to me, it's rarely to ask me some Zimmer shit, even though it happens sometimes. When it happens, I do my best to write decent / elegant music that could match their needs and mine. But mostly, people want me to be myself.

— François-Eudes Chanfrault

My own story is like a fairy tale nobody would believe because it's exactly what you expect but it never happened.

— François-Eudes Chanfrault

I worked carefully in the darkness and the silence.

— François-Eudes Chanfrault

I love working on genre films.

— François-Eudes Chanfrault

I enjoy a freedom of tone and experimentation unparalleled, almost unthinkable in more traditional films — producers are becoming more conservative, dramatically.

— François-Eudes Chanfrault

Finally, the role of sound in these films is very important, and directors give it a lot of attention. We work hard, we try, it is not just enough to illustrate. We must build a character in its own music.

— François-Eudes Chanfrault

But there are constants. The first is anxiety, because you have to reinvent an entire personal universe from that of another, understanding the film, its form, its rhythm, its colors.

— François-Eudes Chanfrault