β
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
β Elizabeth Barrett Browning
poet, screenwriter, essayist, pamphleteer, translator, writer, abolitionist
π Read on Wikipedia1806 Β β 1861
Earth's crammed with heaven, And every common bush afire with God: But only he who sees takes off his shoes.
God's gifts put man's best dreams to shame.
Thou large-brained woman and large-hearted man.
Or from Browning some "Pomegranate," which, if cut deep down the middle,shows a heart within blood-tinctured of a veined humanity.
Do ye hear the children weeping, O my brothers,And that cannot stop their tears.
I tell you, hopeless grief is passionless.
Therefore to this dog will I,Therefore and for ever.
"Yes," I answered you last night;Will not look the same by day.
Unless you can muse in a crowd all dayOh, never call it loving!
What was he doing, the great god Pan,With the dragon-fly on the river.
The cypress stood up like a churchThe nightingales, the nightingales.
But so fair,Who gaze upon her unaware.
Speak low to me, my Saviour, low and sweet,Who art not missed by any that entreat.
And I said in underbreath βRound our restlessness, His rest.
I cannot speak "Thy will be done."
Oh, the little birds sang east, and the little birds sang west.
But since he hadThe justice to be honoured in his grave.
By thunders of white silence.
And that dismal cry rose slowly Pan, Pan is dead!"
She has seen the mystery hidNow she knows what Rhamses knows.
There Shakespeare, on whose forehead climbWith tears and laughter for all time!
And Chaucer, with his infantineFamiliar clasp of things divine.
And Marlowe, Webster, Fletcher, Ben,The world was worthy of such men.
Knowledge by suffering entereth,And life is perfected by death.
Guess now who holds thee?"β"Death," I said. But thereThe silver answer rangβ"Not Death, but Love.
Thou hast thy calling to some palace-floor, Of watching up thy pregnant lips for more.
Hush, call no echo up in further proof That weeps . . . as thou must sing . . . alone, aloof.
Go from me. Yet I feel that I shall standHenceforward in thy shadow.
God's gifts put man's best dreams to shame.
When our two souls stand up erect and strong,Be here contented?
God only, who made us rich, can make us poor.
Because God's gifts put man's best dreams to shame.
Instruct me how to thank thee! Oh, to shoot Love that endures, from life that disappears!
I seek no copy now of life's first half: New angel mine, unhoped for in the world!
Here's ivy! β take them, as I used to do And tell thy soul, their roots are left in mine.
Of writing many books there is no end; To hold together what he was and is.
Life, struck sharp on death,And none was left to love in all the world.
Dreams of doing goodFor good-for-nothing people.
The beautiful seems rightBecause of weakness.
Books, books, books!
Every wishIs like a prayerβwith God.
If I married him,From any use that pleased him!
God answers sharp and sudden on some prayers,A gauntlet with a gift in't.
Good critics, who have stamped out poets' hope,Good patriots, who for a theory risked a cause.
That he, in his developed manhood, stoodWhile I . . it seemed no sun had shone on me.
Whoso lovesBelieves the impossible.
The growing drama has outgrown such toysTo keep the pauses of its rhythmic sounds.
Nay, if there's room for poets in the worldThan Roland with his knights, at Roncesvalles.
Since when was genius found respectable?
If you desire faith, then you have faith enough.
Man, the two-fold creature, apprehends Through the open arms of God.
The face, which, duly as the sun, And yet my days go on, go on.
By anguish which made pale the sun, However darkly days go on.
Whatever's lost, it first was won; I praise Thee while my days go on.
God's gifts put man's best dreams to shame.
For tis not in mere death that men die most.
You were made perfectly to be loved - and surely I have loved you, in the idea of you, my whole life long.
How do I love thee? Let me count the ways.
Light tomorrow with today!
If thou must love me, let it be for naught
Who so loves believes the impossible.
The picture of helpless indolence she calls herself
