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Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those.
β David Lynch
film director, actor, screenwriter, composer, voice actor, animator, painter, film editor, television actor, lyricist, visual artist, film actor, film producer, photographer, director, songwriter, cinematographer, musician, film screenwriter, writer, producer
π Read on Wikipedia1946 Β β 2025
Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those.
Most of Hollywood is about making money - and I love money, but I don't make the films thinking about money.
Building a set is like building a place, but it's a temporary place, because sets usually get torn down. Kind of unfortunate.
There are only 24 hours in a day, and my top priority is working on my films, but I love short film experiments.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
Film can't just be a long line of bliss. There's something we all like about the human struggle.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
Transcendental meditation is an ancient mental technique that allows any human being to dive within, transcend and experience the source of everything. It's such a blessing for the human being because that eternal field is a field of unbounded intelligence, creativity, happiness, love, energy and peace.
I believe in creative control. No matter what anyone makes, they should have control over it.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.
I was raised Presbyterian, but I'm not really going to church. I think the experience in meditation is pretty much where it's at for me.
I didn't watch much TV as a kid and I don' t watch it now. I don' t find anything beautiful or unique to the medium, and the only thing you can do on TV that you can't do in film is make a continuing story - which is so cool!
Everyone is on the internet but they're not all talking with each other. There are groups upon groups out there, but they don't talk to one another. So while the internet brings everyone into a shared space, it does not necessarily bring them together.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
I supported myself by delivering the 'Wall Street Journal' and doing odd jobs. I love plumbing and carpentry.
Somehow, the French got this idea of the starving artist. Very romantic, except it's not so romantic for the starving artist.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
I think part of the reason ideas haven't come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It's experienced and then forgotten.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those.
A lot of music doesn't do one thing or another. It just doesn't do anything. Then there are those pieces of music that thrill your soul. It's such a wide range, and it's really interesting that we all love different things.
Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life.
To make the script, you need ideas, and for me a lot of times, a final script is made up of many fragments of ideas that came at different times.
I love Christmas tree bulbs, and I started putting them in my paintings. You've got to plug this painting in, and it's got a rig in the back, so that each one can be replaced if it burns out.
You're right on the money with that. We're all like detectives in life. There's something at the end of the trail that we're all looking for.
I love music, of course, and many, many, many genres. There are hardly any songs I would say that I hate. There's a couple, and I don't even know exactly why I don't like them.
I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.
I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.
All the movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
I like things to be orderly.
The worst thing about this modern world is that people think you get killed on television with zero pain and zero blood. It must enter into kids' heads that it's not very messy to kill somebody, and it doesn't hurt that much. That's a real sickness to me. That's a real sick thing.
In Hollywood, more often than not, they're making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone.
I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.
I've loved music always, and my music fire was lit by Elvis Presley, really, and all that was happening back then.
In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships. They show up in struggles and bring them to a critical point.
I always loved smokestack industry, and I love towns or cities that have grown up around factories.
The beginning dictates the direction and you never know where you're going to go ... the mood is what you're looking for, and somehow we always find it.
Digital video is so beautiful. It's lightweight, modern, and it's only getting better. It's put film into the La Brea Tar Pits.
When I was little in Spokane, Washington I drew all the time... and my father would bring paper home ... and I mostly drew browning automatic water-cooled sub-machine guns... that was my favorite.
People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me.
Every single thing in the world that was made by anyone started with an idea. So to catch one that is powerful enough to fall in love with, it is one of the most beautiful experiences. It's like being jolted with electricity and knowledge at the same time.
I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.
I found the world completely and totally fantastic as a child. Of course, I had the usual fears, like going to school\xa0... For me, back then, school was a crime against young people. It destroyed the seeds of liberty. The teachers didn't encourage knowledge or a positive attitude.
An artist makes a painting, and nobody bugs him or her about it. It's just you and your painting. To me, that's the way it should be with film as well.
A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.
If you stay true to your ideas, film-making becomes an inside-out, honest kind of process.
My cow is not pretty, but it's pretty to me.
You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum.
Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.
Life is very, very complicated and so films should be allowed to be too.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
There's this beautiful ocean of bliss and consciousness that is able to be reached by any human being by diving within, which is really peaceful and harmonious and can be enlivened by the group process. This group is a peace-creating group. It saturates the atmosphere. This is all about establishing peace. Right now, we gotta get peace back in the world. Peace is a real thing.
A film - especially when it's a personal film - is going to hit somebody or it's not. There's nothing you can do about it.
Speaking in front of a large crowd is not pleasant. Once it gets rolling, it's okay. But beforehand, it's murder. I'm getting a lot better. The first interview I ever did was in 1972, I believe, and I couldn't speak. I couldn't speak one word. I only said, "I painted it black." That was my one sentence. And so I have improved.
I love the quality, feel and history of film. I love the pictures of the giant cameras and the way it was.
It makes me uncomfortable to talk about meanings and things. It is better not to know so much about what things mean. Because the meaning, it's a very personal thing and the meaning for me is different than the meaning for someone else.
Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.
I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.
The ocean of solutions is within, enliven that. ... It's a world of clues, a world of mystery but the mystery can get solved, you can find a lot of answers for these things within.
There's so many problems in our world, so much negativity. Don't worry about the darkness β turn on the light and the darkness automatically goes. Ramp up the light of unity within β help do that for yourself, help do that for the world and then we're really doing something, we're doing something that brings that light of unity."
Bullshit, that's how I feel. Total fucking bullshit.
It's such a sadness that you think you've seen a film on your fucking telephone. Get real.
There is a plot. What would be the point of just a bunch of things? There's a story, but the story can hold abstractions. I believe in story. I believe in characters. But I believe in a story that holds abstractions, and a story that can be told based on ideas that come in an unconventional way."
Don't make a film if it can't be the film you want to make. It's a joke, and a sick joke, and it'll kill you.
I love child things because there's so much mystery when you're a child. When you're a child, something as simple as a tree doesn't make sense. You see it in the distance and it looks small, but as you go closer, it seems to grow β you haven't got a handle on the rules when you're a child. We think we understand the rules when we become adults but what we really experienced is a narrowing of the imagination.
I guess I got whacked hard in the mystery department when I was little. I found the world completely and totally fascinating then β it was like a dream. They say that people who think they had a happy childhood are blocking something out, but I think I really had one. Of course I had the usual fears, like going to school β I knew there was some sort of problem there. But every other person sensed that problem too, so my fears were pretty normal.
There's always fear of the unknown where there's mystery. It's possible to achieve a state where you realize the truth of life and fear disappears, and a lot of people have reached that state, but next to none of them are on Earth. There's probably a few.
One change of attitude would change everything. If everyone realized that it could be a beautiful world and said let's not do these things anymore β let's have fun.
There are so many clues and feelings in the world that it makes a mystery and a mystery means there's a puzzle to be solved. Once you think like that you're hooked on probably finding a meaning, and there' many avenues in life where we're given little indications that the mystery can one day be solved. we get little proofs, β not the big proof β but the little proofs that keep us searching.
When you do something that works you have a happiness, but I don't know if it's a feeling of power. Power is a frightening thing and that's not what I'm interested in. I want to do certain things and make them right in my mind and that's it.
Ideas are like fish. Down deep, the fish are more powerful and more pure. They're huge and abstract. And they're very beautiful.
When I first heard about meditation, I had zero interest in it. I wasn't even curious. It sounded like a waste of time. What got me interested, though, was the phrase "true happiness lies within." At first I thought it sounded kind of mean, because it doesn't tell you where the "within" is, or how to get there. But still it had a ring of truth. And I began to think that maybe meditation was a way to go within.
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.
I was raised Presbyterian, but I'm not really going to church. I think the experience in meditation is pretty much where it's at for me.
Life should be blissful, and blissful doesn't mean just a small happiness. It's huge. It is profound.
The mantra that you're given in Transcendental Meditation you keep to yourself. The reason being, true happiness is not out there, true happiness lies within.
A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity.
Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life.
I love Bob Dylan. Who doesn't? He tapped into some kind of vein and it keeps on keeping on. There's nobody like him. He's unique, and just... way out cool.
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
You're right on the money with that. We're all like detectives in life. There's something at the end of the trail that we're all looking for.
People think in Hollywood there's a family, where everybody gets together talks about stuff and we all know each other, and it's just not that way at all to me.
Happy accidents are real gifts, and they can open the door to a future that didn't even exist. It's kind of nice sometimes to set up something to encourage or allow happy accidents to happen.
The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.
I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.
This whole world is wild at heart and weird on top.
Negativity is the enemy of creativity.
Life is very, very complicated, and so films should be allowed to be, too.
Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.
I like L.A. because of the light. The light makes me feel so good. It's really beautiful. And there's something about L.A. being so spread out that gives you a feeling of freedom. Light and freedom.
The concept of absurdity is something I'm attracted to.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs.
I've always loved the electric guitar: to hold it and work it and hear what it does is unreal.
Meditation is to dive all the way within, beyond thought, to the source of thought and pure consciousness. It enlarges the container, every time you transcend. When you come out, you come out refreshed, filled with energy and enthusiasm for life.
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.
I like cappuccino, actually. But even a bad cup of coffee is better than no coffee at all.
Happy accidents are real gifts, and they can open the door to a future that didn't even exist. It's kind of nice sometimes to set up something to encourage or allow happy accidents to happen.
The ideas dictate everything, you have to be true to that or you're dead.
I'm not a musician, but I play music. So it's a strange thing.
A poet could write volumes about diners, because they're so beautiful. They're brightly lit, with chrome and booths and Naugahyde and great waitresses. Now, it might not be so great in the health department, but I think diner food is really worth experiencing periodically.
More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
I don't paint the town red. But when I do go out, people always want to touch my hair. It happens every time.
Stories hold conflict and contrast, highs and lows, life and death, and the human struggle and all kinds of things.
A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity.
It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.
As a kid, I was always building things. My father had a shop in the house, and we built things - we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them.
I thought when I started meditation that I was going to get real calm and peaceful and it's going to be over. It's not that way; it's so energetic. That's where all the energy and creativity is.
Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits.
A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.
Francis Bacon is one of my giant inspirations. I just love him to pieces.
If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.
Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
My cow is not pretty, but it is pretty to me.
Transcendental meditation is an ancient mental technique that allows any human being to dive within, transcend and experience the source of everything. It's such a blessing for the human being because that eternal field is a field of unbounded intelligence, creativity, happiness, love, energy and peace.
I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.
I don't think that people accept the fact that life doesn't make sense. I think it makes people terribly uncomfortable. It seems like religion and myth were invented against that, trying to make sense out of it.
Life should be blissful, and blissful doesn't mean just a small happiness. It's huge. It is profound.
Some things we forget. But many things we remember on the mental screen, which is the biggest screen of all.
I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist.
A filmmaker doesn't have to suffer to show suffering. You just have to understand it. You don't have to die to shoot a death scene.
Intuition is the key to everything, in painting, filmmaking, business - everything. I think you could have an intellectual ability, but if you can sharpen your intuition, which they say is emotion and intellect joining together, then a knowingness occurs.
Cinema is a medium that can translate ideas.
Transcendental meditation is an ancient mental technique that allows any human being to dive within, transcend and experience the source of everything. It's such a blessing for the human being because that eternal field is a field of unbounded intelligence, creativity, happiness, love, energy and peace.
I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.
The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.
Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.
I've said many, many, many unkind things about Philadelphia, and I meant every one.
The greatest thing my father left me was a love for cutting wood - my love for sawing, especially pine wood.
I don't like Thomas Edison. I'm a fan of Nicolai Tesla.
I love super crispy, almost burned, snapping-crispy bacon.
Transcendental meditation is an ancient mental technique that allows any human being to dive within, transcend and experience the source of everything. It's such a blessing for the human being because that eternal field is a field of unbounded intelligence, creativity, happiness, love, energy and peace.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
I love Bob Dylan. Who doesn't? He tapped into some kind of vein and it keeps on keeping on. There's nobody like him. He's unique, and just... way out cool.
I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature.
Sometimes I get an idea for cinema. And when you get an idea that you fall in love with, this is a glorious day.
What I really like is to be at home, working.
I didn't really grow up listening to blues, because I grew up in the Northwest. It wasn't really the center for blues.
The mantra that you're given in Transcendental Meditation you keep to yourself. The reason being, true happiness is not out there, true happiness lies within.
