In the Indian grass the Indians listened: [...] the first sounds of a city that was to live by night after the wilderness had passed. [...] / That was to forge, out of steel and blood-red neon, its own particular wilderness.
Yankee and voyageur, the Irish and the Dutch, Indian traders and Indian agents, halfbreed and quarterbreed and no breed at all, in the final counting they were all of a single breed. They all had hustler's blood.
They'd do anything under the sun except work for a living, and we remember them reverently, with , under such subtitles as “Founding Fathers,” “Dauntless Pioneers” or “Far-Visioned Conquerors.” / Meaning merely they were out to make a fast buck off whoever was standing nearest.
When put in the fix for he tied the town to the rackets for keeps. / [...] Big Bill greeted his fellow citizens correctly then with a cheery, “Fellow hoodlums!” / The best any mayor can do with the city since is just to keep it in repair.
Yet the Do-Gooders still go doggedly forward, making the hustlers struggle for their gold week in and week out, year after year, once or twice a decade tossing an unholy fright into the boys. And since it's a ninth-inning town, the ball game never being over till the last man is out, it remains ' town as well as 's. The ball game isn't over yet. / But it's a rigged ball game.
Good times or hard, it's still an infidel's capital six days a week. / [...] Where only yesterday the evening crow crossed only lonely teepee fires, now the slender arc-lamps burn. / To reveal our backstreets to the indifferent stars.
It's still an outlaw's capital – but of an outlawry whose colors, once crimson as the old Sauganash whiskey-dye, have been washed down, by many prairie rains, to the colorless grey of the self-made executive type playing the percentages from the inside. Under the pale fluorescent glow.
For always our villains have hearts of gold and all our heroes are slightly tainted.
It's every man for himself in this hired air. / Yet once you've part of this particular patch, you'll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.
It isn't hard to love a town for its greater and its lesser towers, its pleasant parks or its flashing ballet. Or for its broad and bending boulevards, where the continuous headlights follow, one dark driver after the next, one swift car after another, all night, all night and all night. But you never truly love it till you can love its alleys too. Where the bright and morning faces of old familiar friends now wear the anxious midnight eyes of strangers a long way from home.
I used to hang open-mouthed around that sort of thing, coming away at last feeling nothing save some sort of city-wide sorrow. Like something had finally gone terribly wrong between the cross atop St. Columbanus and that wrought-iron gate, out of an old wrought-iron war, forever guarding the doubly-dead behind us. / [...] With the city spreading all about. Like some great diseased toadstool under a sheltering, widespread sky.
However do senators get so close to God? How is it that front-office men never conspire? That matinee idols feel such guilt? Or that winners never pitch in a bill toward the price of their victory?
Before you earn the right to rap any sort of joint, you have to love it a little while.
Yet the city keeps no creed, prefers no particular spire, advances no one color, tolerates all colors: the dark faces and the blue-eyed tribes, the sallow Slavs and the olive Italians. All the creeds that persecution harassed out of Europe find sanctuary on this ground, where no racial prejudice is permitted to stand up. / We insist that it go at a fast crawl, the long way around.
You can belong to New Orleans. You can belong to Boston or San Francisco. You might conceivably – however clandestinely – belong to Phildadelphia. But you can't belong to Chicago any more than you can belong to the flying saucer called Los Angeles. For it isn't so much a city as it is a drafty hustler's junction in which to hustle awhile and move on out of the draft. / That's why the boys and girls grow up and get out.
Yet on nights when, under all the arc-lamps, the little men of the rain come running, you'll know at last that, long long ago, something went wrong between St. Columbanus and North Troy Street. And Chicago divided your heart. / Leaving you loving the joint for keeps. / Yet knowing it never can love you.
Giants lived here once. It was the kind of town, thirty years gone, that made big men out of little ones. It was geared for great deeds then, as it is geared for small deeds now.
Now it's the place where we do as we're told, praise poison, bless the F.B.I., yearn wistfully for just one small chance to prove ourselves more abject than anyone yet for expenses to Washington and return – You Too Can Learn to Trap Your Man – and applaud the artist, hanging for sale beside his work, with an ancestral glee. And cannot understand how it can be that others are happier than ourselves. And why it seems that no one loves us now as they once did.
Out of the Twisted Twenties flowered the promise of Chicago as the homeland and heartland of an American renaissance, a place of poets and sculptors to come, of singers and painters, dancers, actors and actresses of golden decades yet to be. [...] / Thirty years later we stand on the rim of a cultural Sahara with not a camel in sight. The springs dried up and the sands drifted in, and the caravans went the other way.
The city today is more a soldier's than an artist's town. [...] You can't make an arsenal of a nation and yet expect its great cities to produce artists. It's in the nature of the overbraided brass to build walls around the minds of men – as it is in the nature of the arts to tear those dark walls down.
Wise up, Jim: it's a joint where the bulls and the foxes live well and the lambs wind up head-down from the hook. [...] / A town where the artist of class and the swifter-type thief approach their work with the same lofty hope of slipping a fast one over on everybody and making a fast buck to boot. “If he can get away with it I give the man credit,” is said here of both bad poets and good safe-blowers.
Make the Tribune bestseller list and the Friends of American Writers, the Friends of Literature, the Friends of Shakespeare and the Friends of Frank Harris will be tugging at your elbow, tittering down your collar, coyly sneaking an extra olive into your martini or drooling flatly right into your beer with the drollest sort of flattery and the cheapest grade of praise: the grade reserved strictly for proven winners.
These are the pavement-colored thousands of the great city's nighttime streets, a separate race with no place to go and the whole long night to kill.
Town of the flagpole sitters, iron city, where everything looks so old yet the people look so young. [...] And of that adolescent who paused in his gum-chewing, upon hearing the sentence of death by electrocution passed upon him, to remember ever so softly: “Knew I'd never get to be twenny-one anyhow.”
Town of the small, cheerful apartments, the beer in the icebox, the pipes in the rack, the children well behaved and the TV well tuned, the armchairs fatly upholstered and the record albums filed: 33 rpm, 45 rpm, 78 rpm. Where the 33 rpm husband and proud father eats all his vitamin-stuffed dinner cautiously and then streaks to the bar across the street to drink himself senseless among strangers, at 78 rpm, all alone.
A Jekyll-and-Hyde sort of burg, where one university's faculty members can protest sincerely against restrictive covenants on the blighted streets bordering their campus – not knowing that the local pay roll draws on real estate covered by covenants like a tent. Let's get back to them saints, Professor. It's awful cold out there.
An October sort of city even in spring.
By days when the wind bangs alley gates ajar and the sun goes by on the wind. By nights when the moon is an only child above the measured thunder of the cars, you may know Chicago's heart at last: / You'll know it's the place built out of Man's ceaseless failure to overcome himself. Out of Man's endless war against himself we build our successes as well as our failures. Making in the city of all cities most like Man himself – loneliest creation of all this very old poor earth.
It's hustle and bustle from day to day, chicken one day and feathers the next, and nobody knows where went.
I submit that literature is made upon any occasion that a challenge is put to the legal apparatus by a conscience in touch with humanity. [...] The hard necessity of bringing the judge on the bench down into the dock has been the peculiar responsibility of the writer in all ages of man.
If my City of the Big Shoulders / Stormy, husky, bawling / Yipping, yapping, yessing, crawling / Would only stop giggling like a farm-boy wearing earrings / On North Wells Street for the first time / Maybe we could find out what kind of joint we're living in.
Again that hour when taxies are deadheading home / Before the trolley-buses start to run / And snowdreams in a lace of mist drift down / And paving-flares make shadows on old walls / When from asylum, barrack, cell and cheap hotel / All those whose lives were lived by someone else / Who never had a choice but went on what was left / Return along long walks where thrusts of wintry grass / By force of love have split the measured stone.