Architectural History is more than just the study of buildings. Architecture of the past and the present remains an essential emblem of a distinctive social system and set of cultural values, and as a result it has been the subject of study of a variety of disciplines.
The civil engineer is the real 19th century architect.
Windows and doors, in nameless sculpture drest,The craz'd creations of misguided whim.
When, in architecture, one uses a fixed unit and combinations of it, to produce harmony, the effect should be most striking and apparent... as it is in music by the measured beat and in poetry by the cadence and rhythm.
[Makes a good architect] an open mind, energy, an appetite for hard work, a willingness to explore new solutions and push boundaries. A sense of humor is also helpful.
Bridges are America's cathedrals.
Silently as a dream the fabric rose;No sound of hammer or of saw was there.
Dancing and architecture are the two primary and essential arts. The art of dancing stands at the source of all the arts that express themselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite.
Architects know that some kinds of design problems are more personal than others. One of the cleanest, most abstract design problems is designing bridges. There your job is largely a matter of spanning a given distance with the least material. The other end of the spectrum is designing chairs. Chair designers have to spend their time thinking about human butts.
Architecture and psychology suddenly become very close.
Architecture worth great attention. As we double our numbers every 20 years we must double our houses. Besides we build of such perishable materials that one half of our houses must be rebuilt in every space of 20 years. So that in that term, houses are to be built for three fourths of our inhabitants. It is then among the most important arts: and it is desireable to introduce taste into an art which shews so much.
A few centuries ago... the indigenous and often primitive architectural forms of that time had become suited to local climate through a long process of trial and error.
Thirty spokes converge upon a single hubIt is the intangible that makes it useful.
The architectAs offerings unto God.
Anon, out of the earth a fabric hugeRose, like an exhalation.
Nor did there wantCornice or frieze with bossy sculpture graven.
The hasty multitudeAnd sat as princes.
Architects and engineers are among the most fortunate of men since they build their own monuments with public consent, public approval and often public money.
Thus when we view some well-proportion'd dome,All comes united to th' admiring eyes.
The modern age has in most cases failed with the rebuilding of old cities destroyed in the war and shown itself incapable of recreating the complex grain of places which took centuries to evolve. Clearly our modern architectural vocabulary just isn't up to the job.
When we mean to build,Then must we rate the cost of the erection.
'Fore God, you have here a goodly dwelling and a rich.
He that has a house to put's head in has a good head-piece.
An architect, to be a true exponent of his time, must possess first, last and always the sympathy, the intuition of a poet … this is the one real, vital principle that survives through all places and all times.
The true architectural art, that art toward which I would lead you, rests, not upon scholarship but upon human powers; and, therefore, it is to be tested, not by the fruits of scholarship, but by the touch-stone of humanity.
I call architecture frozen music.
Architecture has its political Use; publick Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth…. Architecture aims at Eternity.
And so, as they kept coming together in greater numbers into one place, finding themselves naturally gifted beyond the other animals in not being obliged to walk with faces to the ground, but upright and gazing upon the splendor of the starry firmament, and also in being able to do with ease whatever they chose with their hands and fingers, they began... to construct shelters.
Houses are built to live in, not to look on; therefore, let use be preferred before uniformity, except where both may be had.
There was King Bradmond's palace,That it was like a paradise.
Old houses mended,Cost little less than new, before they're ended.
A man who could build a church, as one may say, by squinting at a sheet of paper.
The Gothic cathedral is a blossoming in stone subdued by the insatiable demand of harmony in man. The mountain of granite blooms into an eternal flower, with the lightness and delicate finish, as well as the ærial proportions and perspective of vegetable beauty.
Earth proudly wears the ParthenonAs the best gem upon her zone.
The hand that rounded Peter's domeThe conscious stone to beauty grew.
Middle wall of partition.
An arch never sleeps.
Rich windows that exclude the light,And passages that lead to nothing.
No hammers fell, no ponderous axes rung,Majestic silence.
When I lately stood with a friend before [the cathedral of] Amiens,… he asked me how it happens that we can no longer build such piles? I replied: "Dear Alphonse, men in those days had convictions (Ueberzeugungen), we moderns have opinions (Meinungen) and it requires something more than an opinion to build a Gothic cathedral.
So that there was neither hammer nor axe nor any tool of iron heard in the house, while it was in building.
Grandeur * * * consists in form, and not in size: and to the eye of the philosopher, the curve drawn on a paper two inches long, is just as magnificent, just as symbolic of divine mysteries and melodies, as when embodied in the span of some cathedral roof.
In the elder days of Art, For the gods see everywhere.
Ah, to build, to build!That is the noblest of all the arts.
The stone which the builders refused is become the head stone of the corner.
It was stated, * * * that the value of architecture depended on two distinct characters:—the one, the impression it receives from human power; the other, the image it bears of the natural creation.
I would have, then, our ordinary dwelling-houses built to last, and built to be lovely; as rich and full of pleasantness as may be within and without: * * * with such differences as might suit and express each man's character and occupation, and partly his history.
Therefore when we build, let us think that we build (public edifices) forever. Let it not be for present delight, nor for present use alone, let it be such work as our descendants will thank us for, and let us think, as we lay stone on stone, that a time is to come when those stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor and wrought substance of them, "See! this our fathers did for us."
Architecture is the work of nations.
No person who is not a great sculptor or painter, can be an architect. If he is not a sculptor or painter, he can only be a builder.
Ornamentation is the principal part of architecture, considered as a subject of fine art.
Since it [architecture] is music in space, as it were a frozen music…. If architecture in general is frozen music.
Behold, ye builders, demigods who made England's Walhalla [Westminster Abbey].