Amy Waldman

So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.

— Amy Waldman

Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.

— Amy Waldman

Imagination, it turns out, is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing, which means, in one sense, that none of it is true. Yet in the writing, and perhaps in the reading, some of a character's actions or lines are truer than others.

— Amy Waldman

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.

— Amy Waldman

Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.

— Amy Waldman

Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.

— Amy Waldman

So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim, an architect born and raised in Virginia, and his name is Mohammad Khan.

— Amy Waldman